Project Management

Publishing

Entries in newsletter (10)

Tuesday
Aug152017

UN Contest Winner in "State of Total Bliss"


 

In the autumn of 1997, a national contest - Let's Make Life Better! - was launched to inspire and mobilise Mongolian youth between the ages of 20 and 30. The idea was simple: for youth to come up with the best ideas to "design their own small and local development project."

Launched with a cross-country advertising campaign, the prize of US $1,000 to implement the winning project (a substantial sum of money at the time) drew 580 project proposals by the contest deadline of December 15, 1997.

So many of the ideas were excellent, they were later to receive support from either the government, NGOs or international organisations. Read the story in the Blue Sky Bulletin newsletter about the contest's winner below:

Editor: David South

Publisher: UNDP Mongolia Communications Office

Published: Blue Sky Bulletin, Issue Number Six, May/June 1998 

"When the phone operator told me it was a call from the UN in Ulaanbaatar, I didn't expect I would be the winner - my uncle was almost in tears."

The words of 27-year-old UN contest winner Mr. Ciezd Nygmed tells it all. Speaking to a group of journalists at UN headquarters in Ulaanbaatar, Mr. Ciezd confirmed his joy: "I'm in a state of total bliss!"

On Monday, May 4 the United Nations awarded US $1,000 to Mr. Ciezd - a teacher from Bayan-Ulgii aimag - for his project to start a ger school for herder children who have dropped out of school.

"Herders don't want to send children to school without school supplies," says Ciezd, who has been teaching for six years at the primary school in Delwnuu soum. This means poor children end up dropping out of the school system - or never going in the first place.

The ger school will be set up in June in the summering pastures of 33 Kazakh families. A teacher will be hired for the 40 children in need of basic literacy skills. The school will operate from June until September.

Ciezd says there are many benefits to bringing the school to the children. In the school where he currently teaches, many children stay in dormitories and parents must pay for their food. The children attending the ger school will be able to eat at home, saving parents precious togrogs.

The project is already receiving support from local governors. They have pledged to help buy the ger, leaving more funds for school supplies and the maintenance of the school.

During his six-day stay in Ulaanbaatar, Ciezd received one-on-one counselling from distance education advisers at UNESCO, the UN culture and education agency. UNESCO has pioneered distance education in Mongolia, particularly in the Gobi desert. Mr. Monxor, UNESCO coordinator for non-formal education, told Ciezd this was the first initiative of its kind in Bayan-Ulgii.

He also spent some time in the newly-established United Nations Information Shop, a one-stop, drop-in resource centre on development issues. Ciezd particularly found the advice from donors most helpful in planning the future of the project.

In October 1997, the UN "Let's Make Life Better!" contest asked Mongolian youth between 20 and 30 to tell us how they would make life better in their communities. We wanted small projects that could significantly change the lives of people in one community. By the deadline of December 15, the UN office was flooded with 580 project proposals from across Mongolia. To speed up the selection of the winner, the Mongolian Youth Federation formed a panel of judges and selected the five finalists. Keeping in the spirit of the contest, the four runners-up receive gardening kits complete with trowels, watering cans, seeds and spades.

Cover stories: UN contest winner and visit of Jean-Claude Juncker to UNDP Mongolia (pictured with UNDP Resident Representative Douglas Gardner).

© David South Consulting 2017 

Tuesday
Jul112017

Stories @ David South Consulting | 1991 - 2017

I worked as a journalist for magazines and newspapers from 1991 to 1997 in Canada and the United Kingdom and as a radio host for a weekly spoken word interview programme, Word of Mouth (CKLN-FM). This included working as an investigative journalist for Now Magazine, “Toronto’s alternative news and entertainment source”, as a Medical and Health Correspondent for Today’s Seniors, and as an investigative journalist and reporter for two Financial Times newsletters, New Media Markets and Screen Finance.  

From 2007, I researched and wrote stories for two United Nations publications: e-newsletter Development Challenges, South-South Solutions and magazine Southern Innovator. Links to a small sample of published stories by theme are below: 


Themes

 

Health and Medical

African Health Data Revolution

African Technology Tackles Health Needs

Changing Health Care Careers a Sign of the Times

Feds Call for AIDS, Blood System Inquiry: Some Seniors Infected

Health Care in Danger

Health Care on the Cutting Block: Ministry Hopes for Efficiency with Search and Destroy Tactics

Mobile Phone Microscopes to Revolutionize Health Diagnostics

Safe Healthcare is Good Business and Good Health

Take Two Big Doses of Humanity and Call Me in the Morning

Taking Medicine to the People: Four Innovators in Community Health

Thai Organic Supermarkets Seek to Improve Health

US Health Care Businesses Chasing Profits into Canada

Innovation and Innovators

Frugal Innovation Trend Meets Global South's Innovation Culture

Innovation from the Global South

Innovation Villages Tackling MDGs

Innovations in Green Economy: Top Three Agenda

Innovative Stoves to Help the Poor

Kenyan Mobile Phone Innovations

Next Generation of Innovation for the Grassroots

Technological Innovation Alive in Brazil

International Development

Aid Organization Gives Overseas Hungry Diet Food: Diet Giant Slim-Fast Gets Tax Write-Off for Donating Products

Philippine Conference Tackles Asia's AIDS Crisis

Starting from Scratch: the Challenge of Transition

State of Decay: Haiti Turns to Free-Market Economics and the UN to Save Itself

Traffic Signs Bring Safety to the Streets

Investigative Journalism

Counter Accusations Split Bathurst Quay Complex: Issues of Sexual Assault, Racism at Centre of Local Dispute

False Data Makes Border Screening Corruptible

New Student Group Seeks 30 Percent Tuition Hike

Somali Killings Reveal Ugly Side of Elite Regiment

Study Says Jetliner Air Quality Poses Health Risks: CUPE Takes on Airline Industry with Findings

Top Reporters Offer Military Media Handling Tips

Science

Affordable Space Programmes Becoming Part of South's Development

African Botanicals to be Used to Fight Against Parasites

African Digital Laser Breakthrough Promises Future Innovation

African Farming Wisdom Now Scientifically Proven

An Innovator's 'Big Chicken Agenda' for Africa

China Pushing Frontiers of Medical Research

New 3D Technology Makes Innovation Breakthough and Puts Mind Over Matter

Putting Worms to Work

 

The front page of the David South Consulting website.
Bottom banner of the David South Consulting website.
© David South Consulting 2017
Thursday
Mar232017

Channel Regulation: Swedes will fight children’s advertising all the way

By David South

Financial Times New Media Markets (NMM) (London, UK), November 30, 1995

The Swedish government is set to clamp down on satellite channels which carry advertising aimed at children and will tell channels to drop such advertising or face legal action. 

The centre-left government’s threat of tough action follows Sweden’s winning extra powers last week through an amendment to the European directive on transfrontier broadcasting agreed by European culture ministers (NMM 13:42). 

The main focus of the Swedish government’s wrath is the TV3 channel, owned by Kinnevik, which uplinks to the Astra 1a and Sirius satellites from the UK. TV3 based itself in the UK in order to benefit from the Independent Television Commission’s more liberal rules on advertising.

TV3’s main commercial television rival, TV4, has long protested to the government about what it sees as unfair competition from TV3 and other foreign-based channels. 

The government will initially go after TV3 and the Luxembourg-based cable and satellite channel Femmen. The Ministry of Cultural Affairs said that pro-European satellite channels such as TNT/Cartoon Network and the Children’s Channel were lesser priorities, but could face action in the future.

TNT/Cartoon Network has a Swedish soundtrack and many Children’s Channel programmes are subtitled in Swedish on cable systems.

The Ministry of Cultural Affairs plans a two-pronged attack to remove the advertising it finds offensive and which is banned under Swedish broadcasting law: advertising aimed at children under 12 and carried in breaks around children’s programming. 

First, the consumer-protection agency the Konsument Ombudsmanen will take action against advertising agencies which produce children’s advertising. Monica Bengtsson, a legal adviser to the Ministry of Culture, said that agencies will be warned once and then fined if they violate the rules a second time.

If this fails - and some observers believe that it will, because advertisers could move their accounts to non-Swedish agencies - the Ombudsmanen would then try the riskier move of taking channels to court to stop the ads.

The Ombudsmanen is not expected to act until it hears the results of the case it has already taken to the European Court of Justice against Italian children’s magazine publishers De Agostini for allegedly placing commercials targetting children under the age of 12 on both TV4 and TV3. Judgement is expected in mid-1996. 

The Swedish government is also banking on public opinion to help pressure satellite channels to stop showing children’s advertising. The political climate in Sweden is strongly in favour of strict controls on advertising aimed at children. Swedish prime minister, Ingvar Carlsson, made cracking down on such advertising a key part of his opening speech to the present session of the Swedish parliament. 

The amended directive (which still needs the approval of the European Parliament) allows a member state to ban children’s advertisements under its own rules even if the channel satisfies the rules of the country from which it is broadcast. 

The Swedish government believes that the combination of the amended directive provisions and its ban on children’s advertising is all it needs to prevent the adverts. 

Per Bystedt, vice-president of TV3, insisted this week that the channel is UK-licensed and therefore does not fall under Swedish law: “We are following the Independent Television Commission’s rules.”

New definitions on which countries are responsible for regulating channels, adopted by the European culture ministers last week, could lead to TV3 being regulated in Sweden rather than the more liberal UK if it is deemed that the channel is really established there. However, the Swedish government has investigated the extent to which TV3 is based in the UK and, according to Bystedt, has declared that it is satisfied that the company is British. 

More from New Media Markets here:

From Special Report: NMM (New Media Markets) Spotlight On The Emergence Of Satellite Porn Channels In The UK

 

Tuesday
Mar142017

From special report: NMM (New Media Markets) spotlight on the emergence of satellite porn channels in the UK

October 26 1995

Is the UK rushing to watch TV porn? 

By David South

Financial Times New Media Markets (London, UK), October 26, 1995

The aspect of satellite and cable programming most feared by the British government when it pushed the development of new media in the mid-80s looks set to become firmly entrenched as a part of the emerging television era. 

Next Wednesday, the USA’s most famous soft-pornography channel will arrive in the UK, almost certainly heralding a satellite porn war for the eyes of the British public. 

The Home Office, which used to look after televsion, was worried that porn would be one shock too many for the British and would create havoc with British television laws. But the mores of the marketplace have changed the climate, although the Broadcasting Act and the Independent Television Commission (ITC) still create limits that are stricter than in most other countries. 

Hard-core pornography - such as that shown on several continental channels which can be picked up in the UK - remains out of bounds, as evidenced by the Department of National Heritage’s recent proscription of the hard-core TV Erotica. 

But the drawing of the line between hard-porn and soft-porn changes over time: the programming now permitted by the ITC is a lot stronger than many might have thought likely a few years ago. The porn channels have learned how to push the boundaries of acceptability and, with competition increasing, are likely to push their luck even further.

Politicians, journalists and old-fashioned new-media programmers - for instance, the United Artists people who were dismayed at the decision of parent company TeleCommunications Inc to bring Playboy over to the UK - may believe that porn channels serve only to cheapen the quality of life. 

But the supply side of the marketplace detects that there is a widespread demand for porn and (ironically) religion and so programmers will follow the demand by supplying suitable programming. 

The soi-dissant “adult” channels estimate their potential audience at between 7 per cent and 30 per cent of cable and satellite homes - between 400,000 and 1.7 million homes at present penetration levels. 

Their main target market is the consumer of “top shelf” magazines which range from the glossy, even glamorous Playboy to the more downmarket magazines of the “reader’s wives” variety.  According to the Campaign Against Pornography, the top six pornographic magazine titles sell about 2.5 million copies a month. Altogether, there are about 200 pornographic titles on sale in the UK. 

Deric Botham, programmer at the recently-launched Television X - The Fantasy Channel  and a porn-industry veteran, estimates that the total UK sex industry - from videos and magazines to sex aids, but excluding prostitution - generates revenues of £4 billion a year, a figure which is difficult to substantiate but is equivalent to 10 times the investment in the UK film industry in 1994. 

According to Botham, “our research shows that people want this thing and the majority of people want it to some degree.”

The porn channels are finding it relatively easy to find satellite capacity, largely because they are forced by the rules to operate at a time of day (i.e. night) when most channels have quit their transponders and are only too happy to find someone to sub-lease them to. 

The first of the new porn channels will be the Playboy Channel, which likes to think of itself as being a cut above the others. The others, it claims, are for “sad, lonely men”. Playboy, on the other hand, is for “happy, heterosexual couples”. 

The channel, probably the softest of the genre, will be launched on November 1 by Flextech, BSkyB and the US Playboy Channel. 

It will be followed by the not-so-soft Penthouse which is being launched in the UK by a joint venture of Penthouse magazine owners General Media and Graff Pay-Per-View, which already owns the UK Adult Channel. 

Two other channels have received licences from the ITC - David (Sunday Sportnewspaper) Sullivan’s Babylon Blue and the Adam and Eve Channel. With the Adult Channel and Television X already broadcasting, there could be six porn channels on offer to UK viewers. 

But two other channels are beamed into the UK for those willing to pay the cost of extra reception equipment: the continental pirates, Rendezvous and Eurotica. There is also the now-banned TV Erotica. 

Cable and satellite was bound to be an attractive medium for the porn channels, given the possibility of encrypting the signal and imposing a subscription fee and, as a consequence, benefiting from the lighter regulation that has seemed likely. Sex-channel executives say that the ITC has become increasingly flexible in what it will allow. 

Three other factors have fuelled would-be channels to turn to cable and satellite: 

  1.  The replacement of the independent high-street video store by big video superstores has robbed the porn industry of a key outlet. 
  2. New-media distribution should bring in consumers who are embarassed to hire a porn video from a shop. Yet buying a subscription to a porn channel may be a more embarassing act within the family environment. 
  3. The Adult Channel is regarded as demonstrating that there is an audience for porn in the UK: it is thought to have about 224,000 subscribers. 

Cable and satellite has far more potential for the porn industry than the traditional-format channel. The prize, which will make everything worthwhile, is pay-per-view (ppv). Bill Furrelle, Playboy Channel’s sales director, said that he had been asked by several UK cable operators about providing a ppv service next year. The operators want Playboy, the Adult Channel and Adam and Eve to contribute to the Home Cinema ppv service which they hope to put together. 

Do TV porn channels degrade and humiliate? 

By David South

Financial Times New Media Markets (London, UK), October 26, 1995

Susan Sontag, the renowned American essayist, described pornography as a “crutch for the pyschologically deformed and brutalisation of the morally innocent.” The Campaign Against Pornography in the UK believes that pornography exploits women and children “in a degrading and humiliating way, often with the message that we enjoy this and want to be abused.”

The campaign encourages its supporters to take direct action against any distributor of pornographic material as part of its wider campaign to put the industry out of business.

The porn channels dismiss arguments that they degrade women and encourage male violence against women. Playboy managing director Rita Lewis argues that “women are happy to consume erotic imagery like pin-ups. Women are not hung-up by this anymore, they are not threatened by the fantasy women we show in our programming. We hope Playboy will lead to couples’ making love together.”

Andrew Wren, financial director of the Adult Channel, also dismisses the link between pornographic programming and sexual violence. “I don’t think there is anything in programmes that would encourage men to go and rape. Women are interested in sex as men are.”

Television X’s (Deric) Botham says that porn programmes are “a bit of titilation” in the fine, upstanding tradition of the British Carry On films. None the less, he admits that “I wouldn’t want my daughter to get involved in pornography.”

He says that the women involved in the programmes, some of them housewives, are willing participants and enjoy the opportunity. “I don’t produce anything that is against the law. We speak to the individuals concerned. If you have a reluctant model, it doesn’t work – I just won’t buy the video.”

The Campaign Against Pornography sees it all rather differently. Ann Mayne, a member of the campaign’s management committee, was particularly critical of two programmes on Television X – Shag Nasty and Mutley and Fly on the Wall.

She said that Shag Nasty and Mutley, in which a presenter approaches women in the street or in supermarkets and offers them £25 to look at their knickers, or £50 to be filmed having sex with him, gave the message that women were simply objects and that it was acceptable to harass them.

“It is complete prostitution of female sexuality,” she said. “Botham wants full-on, across-the-board prostitution of women. In his view, every woman must have a price.”

Mayne said that Fly on the Wall, in which real-life couples are shown having sex, was an open invitation for men to coerce their partners into being filmed, possibly to the point of abuse.

UK laws on satellite porn among toughest in Europe

By David South

Financial Times New Media Markets (London, UK), October 26, 1995

UK regulations on what can be shown on sex channels are tougher than in most countries of the European Union. Channels such as the hard-core Swedish TV Erotica and the recently-launched French Rendezvous are licensed in their respective countries and transmit explicit scenes of sexual intercourse, straight and gay, featuring close-up shots of copulating genitals. 

Graff Pay-Per-View, the experienced US sex channel operator, consciously decided to exclude the UK as a market for its hard-core Eurotica channel which is licensed in Denmark and, like the other hard-core channels, transmits via a Eutelsat satellite. But pirate smart cards for the channel, as for the other channels, are available in the UK in specialist satellite shops. 

Graff’s seeming respect for the UK regulations may not be unconnected with the fact that it owns the Adult Channel and would be wary of upsetting the ITC. Broadcasting unacceptable material into the UK could provoke the ITC into seeing Graff as a body unfit to hold a licence, thereby threatening the Adult Channel. 

The ITC’s guidelines on sexually explicit material state that representations of sexual intercourse can be shown only after 9pm and that “the portrayal of sexual behaviour, and of nudity, needs to be defensible in context and presented with tact and discretion.”

There has been some relaxation of the rule. The ITC will, on an experimental basis, allow the watershed to be broken by a ppv or video-on-demand service. It is not, however, prepared to give this freedom to a porn channel, at least not in the early days, because it does not want to be seen to be licensing pornography. The relaxation will affect only general services. 

The ITC will also monitor any ppv service to ensure that there are no cases of children accessing the programming before deciding if the programme code should be revised. 

The transmission pf 18-rated films on terrestrial or new-media channels is not permitted before 10pm. Films with a 15-rating are not allowed before 9pm on terrestrial channels such as BSkyB’s Sky Movies or the Movie Channel. These are minimum requirements. Some 15-rated films, for instance those which show scenes of sexual intercourse or drug-taking, would not be deemed suitable for transmission even on an encrypted channel at 8pm. 

In practice, the ITC does not permit depictions of erect penises, anal intercourse, close-ups of genitalia or ejaculation. 

Where channels have overstepped the mark and gone abroad to get licences from less strict authorities - the late Red Hot Dutch and TV Erotica - the ITC has recommended that the channels be proscribed, action which has subsequently been taken by the Department of National Heritage. The ITC is now monitoring the Rendezvous channel, which shows a mix of gay and heterosexual hard-core pornography with graphic scenes of sexual intercourse. 

The DNH issues proscription orders under Sections 177 and 178 of the Broadcasting Act. The orders make it a criminal offence to supply equipment to receive the channels or to market and advertise them. 

The European Union directive on transfrontier broadcasting lays down that one country cannot prevent the reception of channels licensed by other European Union countries. However, it allows individual governments to take action against any broadcast which could damage the physical, mental or moral development of minors. 

Playboy ‘is not for sad and lonely single men’

By David South

Financial Times New Media Markets (London, UK), October 26, 1995

The Playboy Channel, due to launch in the UK on November 1, is trying to position itself as being a cut above the existing sex channels with which it will compete for subscribers. 

The channel, which is running an advertising campaign costing more than £1.5 million, believes that its big budgets and slick production values will attract viewers who have hitherto been uninterested in so-called “adult” entertainment. It hopes to win an audience among women as well as men. 

Managing director Rita Lewis dismisses the other sex channels as being aimed at people who are “a bit sad and on their own”. The channels promote “deviant” behaviour. 

Playboy hopes to attract happy, heterosexual couples who will treat the channel as an aid to foreplay: “We hope Playboy will lead to couples’ making love,” said Lewis, who believes that women, as well as men “are happy to consume erotic imagery like pin-ups.”

In the USA, according to Lewis, 70 per cent of the audience for the channel comprises couples. 

She said that the UK Playboy will run programmes that have more in common with programmes like Channel Four’s The Good Sex Guide. “These days, a whole bunch of people are sampling erotic programming like The Good Sex Guide. It is very sexy programming with mass-market appeal.”  

Playboy’s movies would have a high standard of production, she said, very different from what she claims to be the cheap programming made for the other channels, often home videos and often shot with hand-held cameras. 

Playboy’s programming will comprise sex films, interviews with “centrefold” models, documentaries on the sex industry and general-entertainment programming such as quiz shows. 

The rival channels claim that Playboy will not be a big threat to them. The Adult Channel’s Wren says that all the new channels “hype the market, which helps us.” In any case, adult entertainment consumers have already been weaned on harder mix of programming and do not want something that offers little more than what Channel Four shows. 

The UK Playboy Channel, which is owned by UK programmer Flextech (51 per cent), British Sky Broadcasting (30 per cent) and Playboy Enterprises (19 per cent), will transmit from between midnight and 4am on the Bravo transponder on Astra 1c. 

The Financial Times newsletter New Media Markets covered the UK's fast-moving new media scene in the 1990s.

Read another story on the liberating of the sex industry and the rise of the Internet in the 1990s here: Porn Again: More Ways to Get Off, But Should We Regulate the Sex Industry? 

Update: It is over 20 years since this Special Report was published. It forecast the significant role the Internet was to play in the growth of sex content and the sex industry and vice versa. Here is an interesting overview on the situation in 2020. The Internet is for Porn – It always was, it always will be.

“One of the biggest and most interesting things happening in the consumer web right now is running almost completely under the radar. It has virtually zero Silicon Valley involvement. There are no boastful VCs getting rich. It is utterly absent from tech’s plethora of twitters, fora and media (at least, as they say, “on main”). Indeed, the true extent of its incredible success has gone almost completely unnoticed, even by its many, many, many customers.

I’m talking, of course, about OnlyFans.”

ORCID iD: https://orcid.org/0000-0001-5311-1052.

© David South Consulting 2021

 

Thursday
Jul022015

3D Home Printing Landmark: 10 Houses in a Day

 

New UNOSSC banner Dev Cha 2013

The global South is experiencing urban growth on a scale unprecedented in human history, far outstripping the great urbanization wave that swept across Europe and North America during the 19th and 20th centuries.

Faced with growth at this pace, governments – both national and local – often become overwhelmed by the rate of change and find it difficult to cope. One of the most common complaints urban-dwellers around the world have is about their living conditions. Even in developed countries, creating enough housing to match demand can be a struggle.

Quality housing is crucial to human development and quality of life. Adequate living space and access to running water make a significant contribution to people’s health and well-being. Despite this obvious conclusion, millions of urban dwellers live in squalid conditions with poor sanitation, overcrowding, crime, pollution, noise and a general feeling of insecurity. Insecure people find it difficult to access stable jobs and suffer stigma for living in poor-quality neighbourhoods.

But many initiatives are seeking to speed up the pace of home construction.

These include the Moladi construction system from South Africa (moladi.net). Moladi uses moulds to assemble houses, so that the building skills required are minimal and easily learned. Built to a template that has been tested for structural soundness and using a design that produces a high-quality home both in structure and appearance, the Moladi system seeks to provide an alternative to makeshift homes that are structurally unsound and vulnerable to fires, earthquakes and other natural disasters.

Another clever approach is a home and dwelling assembly system developed by architect Teddy Cruz (http://estudioteddycruz.com) (http://visarts.ucsd.edu/faculty/teddy-cruz) that allows slum dwellers to gradually construct a building in stages as they can afford it. It is earthquake-safe and fire resistant.

Another approach turns to the fast-growing technology of 3D printing (http://en.wikipedia.org/wiki/3D_printing). This technology has gone mainstream in the past five years in the form of desktop-sized 3D printers, or fabricators as they are sometimes called. The machines assemble objects in an additive fashion – layer-by-layer – using digital designs from a computer.

3D printers can make a complex object without having to resort to mass manufacturing. An accurate, one-off object can be created with the same precision as a machined object. Architects, for example, use the technology to make 3D models of their designs. And now a company in China is hoping to use 3D printers to make houses.

The WinSun Decoration Design Engineering Co. (http://www.yhbm.com/index.aspx) 3D printed 10 houses in 24 hours in Shanghai’s Qinpu district, reported Business Insider.

This landmark achievement was accomplished with a giant printer – 152 meters long, 10 meters wide, and 6 meters high – which manufactured walls for the house from a mix of construction waste and cement.

As a sign of the confidence the company has in the innovative construction technique, it built its own 10,000 square meter headquarters in one month using the same materials. The company’s chief executive officer, Ma Yihe, is also the inventor of the technique. It is a very flexible technology and the material can be tinted different colors according to the customer’s wishes. It is cheap to work with and is also less draining on environmental resources than traditional building materials.

The 10 houses consist of two concrete side supporting walls with glass panels at the front and back and with a triangle roof. They will be used as offices at a high-tech industrial park in Shanghai. The company has big plans, hoping to use the technology to build more homes – and even skyscrapers.

Competition is heating up as people around the world seek to perfect 3D technology to print houses to meet the growing demand for dwellings.

In The Netherlands, Dutch architectural firm Dus Architects (dusarchitects.com)  commissioned the development of a leviathan 3D printer so it could print entire rooms. Modeled on a much smaller home desktop version, the Ultimaker (ultimaker.com), this printer creates whole rooms that are then assembled into custom-built houses.

The 6-meter high KamerMaker (kamermaker.com), or “room builder”, is being used in Amsterdam to build a full-size house.

The project is called “3D Print Canal House” (http://3dprintcanalhouse.com/). The printer assembles the rooms individually, and then they are snapped together to make a house. The internal structure of the building blocks are in a honey-comb pattern, which is then filled with a foam that becomes as hard as concrete.

“For the first time in history, over half of the world’s population is living in cities,” Dus Architects founder Hans Vermeulen told cnet.com. “We need a rapid building technique to keep up the pace with the growth of the megacities. And we think 3D printing can be that technique.

“We bought a container from the Internet and we transformed it into one of the biggest printers on this planet.”

This technology can also easily use recycled waste materials and lower the pollution and cost of moving building materials around. The Dus Architects prototype house is expected to take three years to complete (so, still in its early development phase) and will look like a typical Dutch canal house with a pointy, gabled roof (http://www.build.com.au/gabled-roof).

One of the pioneering advocates for using 3D technology to address the global South’s urbanization and housing challenge has been Larry Sass, director of the Digital Design Fabrication Group (http://ddf.mit.edu/) at the Massachusetts Institute of Technology (MIT).

Three technologies have been developed at MIT since the 1950s that have made digital fabrication possible – computer numerical control (CNC), which enables computers to control machines; computer-aided design software in the 1960s; and 3D printing in the 1980s to make solid models using digital designs.

Sass told MIT’s Spectrum newsletter (spectrum.mit.edu) that large-scale 3D printing would mean “buildings will rise faster, use fewer resources, cost less, and be more delightful to the eye than ever before.”

He envisions a future in which architects will be able to send their designs by computer to a 3D printer and it will then be able to start “printing” the building or a house accurately according to the original designs.

The conventional way of making buildings has been stuck in the same approach since the 1800s, according to Sass. It uses highly skilled and extensive labour, it is slow and plagued by weather disruptions and urban congestion, and it is expensive, often using materials brought from far away.

Digitally fabricating buildings takes a radically different approach: the building is made in a series of precision-cut, interlocking parts and then assembled on site like a jigsaw puzzle.

“It’s the right delivery system for the developing world, because the developing world doesn’t have an infrastructure of tools, air guns, saws and power,” Sass said.

“Design and high-quality construction is mostly for the rich,” added Sass, who was raised in Harlem, a New York City neighbourhood with high poverty levels. “I’ve always wanted to figure out how to bring design choice and architectural delight to the poor.”

By David South, Development Challenges, South-South Solutions

Published: July 2014

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

Follow @SouthSouth1

Google Books: https://books.google.co.uk/books?id=qBU9BQAAQBAJ&dq=development+challenges+july+2014&source=gbs_navlinks_s

Slideshare: http://www.slideshare.net/DavidSouth1/development-challenges-july-2014-published

Southern Innovator Issue 1: https://books.google.co.uk/books?id=Q1O54YSE2BgC&dq=southern+innovator&source=gbs_navlinks_s

Southern Innovator Issue 2: https://books.google.co.uk/books?id=Ty0N969dcssC&dq=southern+innovator&source=gbs_navlinks_s

Southern Innovator Issue 3: https://books.google.co.uk/books?id=AQNt4YmhZagC&dq=southern+innovator&source=gbs_navlinks_s

Southern Innovator Issue 4: https://books.google.co.uk/books?id=9T_n2tA7l4EC&dq=southern+innovator&source=gbs_navlinks_s

Southern Innovator Issue 5: https://books.google.co.uk/books?id=6ILdAgAAQBAJ&dq=southern+innovator&source=gbs_navlinks_s

Creative Commons License
This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.