Southern Art Hubs Grab Attention for Creative Economy

Regeneration – of poor neighbourhoods, districts, even whole countries after a conflict – is both a challenge and a key to transforming lives. One approach that has a track record is turning to artists and creative people to re-imagine a neighbourhood or country’s culture, and restore pride and vitality to places beaten down by life’s hardships.

The tool to do this is the creative economy. The “interface between creativity, culture, economics and technology in a contemporary world dominated by images, sounds, texts and symbols” (UNCTAD) is seen as away for emerging economies to leapfrog into high-growth areas in the world economy.

Two approaches offer inspiring examples: a Brazilian art gallery owner is single-handedly remaking the Brazilian market for contemporary art. And in Cambodia, a new wave of young artists are creating a stir in the global art scene.

Galeria Leme (http://www.galerialeme.com/home.php?lang=ing) is located in a graffiti-strewn, down-at-heel neighbourhood in Sao Paulo, Brazil.

Brazil has seen impressive economic growth in the past decade. The country is Latin America’s biggest economy and had reached growth of 5.1 percent in 2008 before being hit by the global recession.

The gallery pursues several goals at once: its mission is to draw attention to socially and politically engaging contemporary Brazilian art, but it also aims to increase awareness of the art market in Brazil and help in the revitalization of the gallery’s neighbourhood.

The gallery is a concrete box designed by Paulo Mendes da Rocha (http://en.wikipedia.org/wiki/Paulo_Mendes_da_Rocha), an award-winning Brazilian architect. Founded in 2004 by former banker Eduardo Leme, the gallery has fashioned itself into being the leading authority on contemporary art in Brazil. Leme used to work in the financial sector before moving into running a gallery, and has applied his understanding of markets and how to create demand.

This in turn has grabbed international attention, and had the global art world beating a path to this neighbourhood. In short, it creates a buzz that soon feeds on itself and draws in more people to the scene.

It’s a formula that has worked well in many other places, where a successful gallery fosters a scene and draws in audiences, buyers and new businesses. Soon, a creative economy comes alive and that means serious money. Both New York and London have shown how this can work. In New York City, the creative economy employs over 278,000 people (2002).

Sao Paulo is the commercial hub of Brazil’s contemporary art market. But previously, buyers had to search all over the city to find the works they wanted to buy.

“I think it is a really good moment for Brazilian art,” Leme said.”Brazilian art is fantastic. Due to our miscellaneous (sic) of culture and people and all these kind of things. Brazil is almost a continent. You have art made of wood, made of metal, made of plastic films, all the materials. More and more, I am seeing Brazilians moving onto the international markets, the prices are moving up. The number of fellows from museums that are coming down here to see what’s going on, it’s fantastic.

“To run this business you not just to have good stuff: you need to understand to whom you should sell also,” Leme told the magazine Monocle. “I mean also not just Sao Paulo is a rich and big city that you have a lot of collectors. There is a lot of social stuff you have to understand to be in this specific business.

“My challenge is to increase the Brazilian market. I have this kind of ambition. More partners, more people talking about art, if more people talking about art I am going to receive more feedback and I am going to grow the terms. Not just as a business but also as a man I will have more things on my mind, more information. And the financial market, the more money you make the richest you are. Here, it is not just that: my point of view is that the more challenge is the thing, the more goals I make I am going to be richer in this business.”

Another scene has taken off in formerly war-ravaged Cambodia in Southeast Asia. The country was notorious for the horrors of the Killing Fields in the 1970s (http://en.wikipedia.org/wiki/The_Killing_Fields), where the extremist Khmer Rouge government executed people and Cambodian artists suffered greatly. As a result, the art community was devastated for many years.

Thirty years on, a new generation of artists has emerged from the recent years of peace. This new wave is getting attention across Asia for its innovation.

Artist Pich Sopheap is one of the pioneers. By founding the Cambodian contemporary art association saklapel.org with Linda Saphan, he has focused the Cambodian art scene through group exhibitions and promotion. Another tool he uses to build the scene up has been the Visual Art Open(VAO), an annual event since 2005 featuring work by Cambodian artists.

This has had the effect of building a strong community of artists within the country who can support each other. It also makes it easier for outside art buyers to discover who is working in the country’s art scene.

Sopheap works in a variety of media including oil painting, photography and sculpture. He manipulates bamboo and rattan to shape his sculptures.

“I think for me sculpture with this material is just because it is cheap. It’s easy to use, it is very relevant. The subject matter is in the work already. For me it is discovering new forms that resonant with the atmosphere, with the conditions of this country,” Sopheap told the BBC.

Sopheap’s family fled from the Khmer Rouge in the 1970s. He spent his early life in the United States, where he trained in art. When he returned to Cambodia a few years ago, he found the art scene very small and weak.

“Cambodia is a young country when it comes to modern art. It takes a while for new blood to come back and actually make something that concerns the present time,” believes Sopheap. “And we are very young, in our early 30s. Before that there was almost none that was known. We are making our own way – it is all up to us. We show in different cafes, we show in bars, we show in gift shops. And when we do those kind of exhibitions it is kind of exciting, it is not really a gallery, a cold place, people go by and it exposes to a lot of foreigners.”

A Cambodian-trained artist, Leang Seckon (http://saklapel.org/vao/artists/leang_seckon/), takes these approaches further, using sewing, painting, metalwork and collage in ways that reference Cambodian traditions, from apsara ballet (http://en.wikipedia.org/wiki/Apsara_Dance) to fortune-telling, while subtly commenting on modern culture, society and politics. Seckon now has shows in Britain, Japan and Norway, and has become one of the country’s most successful artistic exports.

“To begin with I was not a professional artist and I didn’t realize I could jump from low to high level so fast. Things have changed so quickly for me. If I do one style of art it makes me feel so bored. But if I mix it up with other techniques like sewing and collage, it makes it more interesting for me. I don’t know if you can call that real Cambodian art but I didn’t copy or learn it from anyone: I created it myself.”

“This is a very important point for me: I can show all my work to the international community. In the countries I go to, I tell them the same thing. Cambodia has new, young artists – we haven’t disappeared: the young ones have been growing up.”

His approach is to stay away from cliched Cambodian art.

“I just think we work really hard,” says Sopheap on the group’s success to date. “I just think we work really hard and get together and organize exhibitions ourselves for the most part. It is just artists working hard and they are hungry and they are fearless and when that energy is happening, people from the outside start to actually pronounce our name correctly and afterward they come to town and just by accident they find this little scene, and they are very interested in it because it is raw.”

By David South, Development Challenges, South-South Solutions

Published: December 2009

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

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Afropolitan: African Fashion Scene Bursting with Energy

Fashion is a significant global business: some estimates place the world’s clothing industry at US $900 billion a year. Clothing – like food – is something everyone requires, so fashion can be an accessible way for small-scale entrepreneurs and craftspeople to earn income and eventually tap into larger marketplaces. Through clever use of the internet and online shopping, small-scale fashion designers and clothing makers can access global markets and earn income from around the world. Initiatives like ShopAfrica53 (http://www.shopafrica53.com/) are helping people to get online and establish small web shops.

The Democratic Republic of Congo is the size of western Europe. A bitter, decade-long civil war that officially ended in the rest of the country in 2003, and that has claimed several million lives through fighting and disease, still burns on in the eastern border provinces of Ituri, North Kivu and South Kivu. As a result, Congo is now home to the world’s largest UN peacekeeping mission.

In the face of this civil strife, a group of very fashionable gentlemen bring colour and style to the country while also pioneering a way to make money and improve standards of dress in the country. Members of “La sape,” or La Societe des Ambianceurs et Personnes Elegantes (http://fr.wikipedia.org/wiki/Société_des_ambianceurs_et_des_personnes_élégantes) — the society of tastemakers and elegant people — wear designer fashions either bought in Europe, or handmade in Congo.

They are inspired by Paris’s society world of parties, social events and fashion as they see it in magazines. It is a hybrid style: French colonialism (the Congo is a former French colony) mixed with individual interpretations of the in ‘look’.

All in the last place in the world you would expect to find such cutting-edge fashion: a place where slums and warfare are the everyday norm.

The gentlement of La Sape are featured in the new book Gentlemen of Bacongo (http://www.trolleybooks.com/bookSingle.php?bookId=118) by photographer Daniele Tamagni. He chronicles in loving detail this bright fashion phenomenon. The cover of the book features a man in an elegantly tailored lipstick pink suit and pink bowler hat – testament to the eye-catching styles on display.

But rather than a local fancy, the look refined by these gentlemen has become the inspiration for designers in Europe, like Britain’s Paul Smith (http://www.paulsmith.co.uk/).

“A Congolese sapeur is a happy man even if he does not eat, because wearing proper clothes feeds the soul and gives pleasure to the body,” Tamagni said.

They also are the living embodiment of a distinctive modern African style.

Their suits are either designer or handmade copies. The sapeurs have strict rules to go with their style: never wear more than three colours together for example.

Tamagni says there is more to the phenomenon than just appearances. Sapeur Salvador Hassan “thinks that a real sapeur needs to be cultivated and speak fluently, but also have a solid moral ethic: that means beyond the appearance and vanity of smart, expensive clothing there is the moral nobility of the individual.”

Says Hassan, “The label is not important, what is important is to be able to dress depending on the taste of the individual.”

For a sapeur, the saints are Pierre Cardin, Roberto Cavalli, Dior, Fendi, Gaultier, Gucci, Issey Miyake, Prada, Yves Saint Laurent, Versace and Yohji Yamamoto.

Unlike the followers of some other fashion styles, they do not worship violence and gang warfare.

Some find the clothes in shops in Brazzaville and Kinshasa but most try to get them from Paris.

So how do they afford these clothes that sometimes cost in the thousands when most are unemployed? They have turned their passion for fashion into a business too. They rent the clothes out for around US $25 a day to earn income. They also save their money to travel back and forth to Europe selecting the best clothes, which they then carry back to Congo and sell for a good profit.

In another development, African fashion magazines are also playing their role in shifting perceptions.

The African look has attracted a new wave of magazines to capture it and promote it. The new glossy magazine titles – Arise (http://www.arisemagazine.net/) (published in London), HauTe (http://www.fashionafrica.com/), Helm (http://www.facebook.com/pages/HELM-Magazine/41931572531) and True Love – are good examples of this new wave.

“Honestly, upwardly mobile African readers are crying out for this magazine,” Helen Jennings, editor of Arise, told the New York Times. Arise is a Nigerian style monthly started by Nigerian media mogul Nduka Obaigbena, who also publishes Nigeria’s leading newspaper, This Day.

“Because the local magazines aren’t as high-end or progressive, and no other international titles speak directly to an African readership, Arise has really caused a stir,” said Jennings.

Jennings calls the magazine’s mix of content “afropolitan”: blending pan-African and global content.

The magazine’s debut issue features the models Alek Wek, Naomi Campbell and Liya Kebede. Stories run the gamut from electronic music to football academies, and the rise of Nollywood, Nigeria’s home-grown film industry.

It features African designers and is distributed in seven countries to 60,000 readers.

Along with new magazines, more and more African designers are now getting attention on Africa’s – and the world’s – catwalks. They include Lisete Silvandira Bento Pires Pote, who started as a designer in 1998 and has been featured in many fashion shows in Angola and around the world. Her clothes are now worn by singers and actors.

Other Angolan fashion designers include Elisabeth Santos, Vadinho Pina, Tekasala Ma’at Nzinga and Shunnoz Fiel (whose appearance in a World Press Photo is drawing attention to the Angolan fashion scene) (http://www.worldpressphoto.org/index.php?option=com_photogallery&task=view&id=1463&Itemid=224).

From Botswana, Koketso Chiepe has been so successful, she opened a fashion shop in London this past summer. Chrystalix is a Cameroonian fashion designer who uses raw materials found in the Equatorial forests of her country. Another Cameroonian design label is Kreyann and sells from its boutique in Douala clothing made from rich materials like silk.

In Ghana, young pioneer Aisha Obuobi has revitalized the use of African prints in fashion (http://www.youtube.com/watch?v=0M2rEQ0Wehw).

A list of fashion weeks across the global South (http://en.wikipedia.org/wiki/Fashion_week) offers many opportunities to witness this creative surge across the continent.

By David South, Development Challenges, South-South Solutions

Published: December 2009

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

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Brewing Prosperity Creates Good Jobs

 

In the Democratic Republic of Congo – home to the world’s largest United Nations peacekeeping mission and decades of bloody civil war – a brewery has not only survived, it has thrived to become a popular brand throughout central Africa. By being a success, the Brasimba brewery has brought prosperity and high-quality jobs to Congo’s second largest city, Lubumbashi (http://en.wikipedia.org/wiki/Lubumbashi), and proven that a modern business can do well there despite the obstacles.

The Brasimba brewery has an ultra-modern factory (http://www.viddler.com/explore/kaysha/videos/298/) complete with high-tech laboratories to constantly test the quality of the beer. It employs 700 people – most of whom are Congolese – and produces 250,000 bottles of Simba beer every day, according to Monocle magazine. The company’s beer brands are Simba Biere du Lion and Tembo Biere and its slogan is a proud Notre Biere (Our Beer).

Lubumbashi is a city described by the BBC as without “child beggars, without potholes and where there are no festering mounds of rubbish.”

A study of the economic impact of breweries in Uganda and Honduras found that more than 100 local jobs, from farmers to truck drivers, depended on every person employed by a brewery (http://www.inclusivebusiness.org/2009/10/sabmiller-impact-assessment.html). Markets across the South are seen as growth areas for beer companies: China’s beer consumers now outnumber those in the U.S. By 2003, world sales of beer reached 148 billion hectolitres (Euromonitor). Overall, it is forecast that global beer consumption will rise by 3.5 percent by 2015, mostly in the South.

Apart from creating steady employment, breweries also help to improve the development of the advertising and marketing businesses of a community as they promote their various brands, and they support local activities like sport with team sponsorship. They also offer a local example of how to run a modern beverage business, with mechanized production, distribution systems and laboratories to ensure hygiene and quality standards are maintained.

Brasimba has been operating in Lubumbashi for eight decades, through the twists and turns of the country’s history. The city has prospered from its copper mines and wisely used that wealth to improve the city’s general prosperity.

The brewery has successfully become a regional favourite, producing beer that is drunk not only in the surrounding Katanga province, but also in Zimbabwe and Zambia. It’s an impressive accomplishment for a company operating in such a turbulent environment. Distribution of the beer by truck is not easy, with the trip taking between six days and two weeks depending on the weather and the condition of the roads.

And the beer is not cheap, at around US $1.48 for a big bottle — a sure sign there is money to be made.

The healthy economic environment has also spawned a beer war with rivals Bralima, owned by the multinational Heineken. With five breweries in Congo and its head office in the capital Kinshasa, Heineken claims the lessons it has learned in Congo are helping it to change its marketing and business strategies far away in the United States.

It recently transferred its commercial director of Congo operations to head up operations in the United States. Heineken Chief Executive Officer Jean-Francois van Boxmeer told the Bloomberg news agency that working in Africa was “certainly worth three times Harvard Business School.”

Heineken’s market share doubled in the Democratic Republic of Congo in just four years and Africa has become a significant market for the brewer.

By David South, Development Challenges, South-South Solutions

Published: December 2009

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

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Digital Mapping to put Slums on the Map

 

Mobile phones are more and more part of daily life in the South’s slums – even for the poorest people. One result is that it has now become possible to undertake digital mapping initiatives to truly find out who is where and what is actually going on.

About one-third of the world’s urban dwellers live in slums, and the United Nations estimates that the number of people living in such conditions will double by 2030 as a result of rapid urbanization in developing countries. How to improve their living conditions and raise their standard of living is the big challenge of the 21st century.

With just over five years until the 2015 deadline to meet the Millennium Development Goals (http://www.undp.org/mdg/), and the current economic downturn reversing some gains, any tool that can make development decisions more precise has to be a benefit.

People are now turning to the growing penetration of digital technologies into slums and poor areas to find solutions. With mobile phones available across much of the global South, and plans underway to expand access to broadband internet even in poorly served Africa, it is becoming possible to develop a digital picture of a slum area and map its needs and population.

Put to the right use, this powerful development tool can fast-track the delivery of aid and also better connect people to markets and government services.

In November, an NGO called Map Kibera (www.mapkibera.org) began work on an ambitious project to digitally map Africa’s largest slum, Kibera in Nairobi, Kenya .

The partners behind Map Kibera are Humanitarian OpenStreetMap, JumpStart International, WhereCampAfrica, the Social Development Network, Pamoja Trust, Hands on Kenya and others.

Estimates place the number of residents in Kibera at one million, but nobody really knows how many live there (UN-HABITAT). The slum is typical of such deprived areas, lacking in health and water resources and plagued by chaotic traffic and housing. Few fully grasp where everything is in the sprawl.

While data does exist on the slum, it is not shared or collated into one source. The Map Kibera project uses an open-source software programme, OpenStreetMap (http://www.openstreetmap.org/), to allow users to edit and add information as it is gathered. This information is then free to use by anybody wanting to grasp what is actually happening in Kibera: residents, NGOs, private companies and government officials.

This will literally put Kibera on Kenya’s map.

The mapping team started with 12 young people recruited in Kibera to start the work in November of this year. They will be trained and also receive support from the growing Nairobi technology community.

“The project will provide open-source data that will help illustrate the living conditions in Kibera,” said Map Kibera’s Mikel Maron. “Without basic knowledge of the geography of Kibera it is impossible to have an informed discussion on how to improve the lives of residents of Kibera.”

Workshops will communicate with local residents and show them the findings available from the map. Paper maps will be distributed to residents and then updated as new information comes in. It is critical local people are kept informed to build trust and avoid conflict. As can be seen from the Google Street Views (http://www.google.co.uk/help/maps/streetview/) controversy, nobody likes to be mapped without their permission or consent.

Like Kenya, Brazil has a long history of sprawling slums sprouting around its cities. Called favelas, they are complex places, with both rudimentary dwellings and elaborate mansions. Walking into a favela can be a journey through the dreams and aspirations of generations of people, often reflected in their dwellings. Favelas have many services, including hospitals, and there are restaurants and coffee shops. In short, while they are not in the official development plans, the favelas are vibrant economic entities and home to hundreds of thousands of people.

But since they are chaotic and undocumented by official maps, the economic and social development of the favelas is hindered as even basic services like mail delivery are difficult to provide.

An NGO called Rede Jovem (http://www.redejovem.org.br/) is deploying youths armed with GPS (global positioning system)-equipped (http://en.wikipedia.org/wiki/Global_Positioning_System) mobile phones to map the favelas of Rio de Janerio. To start with, they are mapping five favelas: Complexo do Alemão, Cidade de Deus, Morro do Pavão-Pavãozinho, Morro Santa Marta and Complexo da Maré.

“The main goal was to mark public interest spots on a map and show places like schools and institutions and hospitals and restaurants,” Natalia Santos, the executive coordinator for Rede Jovem, told MobileActive (www.mobileactive.org) . “We wanted to spread the news about what slums do have, so all the people can get to know that the slum is not just a place for violence and marginality and robbery.”

The mapping process works like this: the mappers physically travel around the favela and upload information on each, individual landmark (restaurants, roads etc.) as they go. They use Nokia N95s mobile phones that are connected to Google Maps (www.maps.google.com).

According to Santos, reporters enter the information on the map displayed on the phone, and they can video or photograph to add more detail. They are using Wikimapa (www.wikimapa.org.br), and Twitter (www.twitter.com) to log the information.

As Rede Jovem recruited young mappers, they discovered an interesting fact: the male reporters (aged between 17 and 25) were frightened to enter a favela with a mobile phone for fear of either being mugged or being stopped by the police. Because of this fact, all the mappers are young women.

They are ambitious for the future despite their funds running out in December. “We want everyone who has a cell phone with GPS to be a wikireporter,” said Santos .

How important it is to the favela residents to be recognised like this can’t be overstated. “I think they are very happy because they’re seeing that they exist,” said Santos. “And the mailman says that now he can deliver the mail.”

By David South, Development Challenges, South-South Solutions

Published: December 2009

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

Follow @SouthSouth1

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Innovation Villages Tackling MDGs

 

The global economic crisis that began to roll across the world in September 2008 is threatening gains made against poverty and hunger all over the South. As Kevin Watkins from UNESCO’s Global Monitoring Report told the Financial Times, “With the slowdown in growth in 2009, we estimate that the average income of the 391 million Africans living on less than US $1.25 a day will take a 20 percent hit.”

How well millions of people survive the economic turmoil will depend on how local communities respond. And there are innovating communities across the South that show it is possible to succeed. By studying the microcosm of test villages, where quantifiable results are being tracked, lessons are being learned on how to achieve the Millennium Development Goals (http://www.undp.org/mdg/).

The challenge of matching improving living standards and quality of life with environmental sustainability has been taken up by one village in Colombia. The technologies it has developed over the past few decades have been adopted around the country.

In Las Gaviotas, Colombia a unique experiment was hatched at the end of the 1960s: to see if a village could survive – and even thrive – while eschewing fossil fuels and industrial agriculture. It found its first test in the oil crisis of the early 1970s. For Las Gaviotas’ survival, meeting energy needs became paramount.

One of the simple concepts the community applied is a take on the physical reality that energy is never created or destroyed, it just moves from one medium to another. Las Gaviotas believes in using all the sources for energy that can be found in a local area first, before seeking out others.

Founded by development specialist Paolo Lugari,Las Gaviotas (http://www.friendsofgaviotas.org) is located in a desert region of Colombia. The area covers a vast territory comprising three-fifths of the country but is home to just 10 percent of the population. To Lugari, the harsh environment is a challenge to be overcome. To begin to reverse the arid environment at Las Gaviotas, the villagers reversed the dry climate by planting trees.

This had the effect of increasing local rainfall by 10 percent, making it possible to do other economic activities.”The only deserts that exist in this world are deserts of the imagination,” Lugari told the New York Times.

The 200 people living in Las Gaviotas have been able to get by without guns, police, a mayor, cellphones, television or the Internet. Nobody uses a job title — instead the adults in the community rotate jobs.

While the villagers do not use many of the technological tools people associate with modern life and prosperity, they do have a culture of invention. The inventions they have come up with include a solar kettle for sterilizing water and a 8,012 hectare pine forest which is harvested for resin to make biofuel for trucks and motorcycles. The resin is also used to make varnishes and linseed oil.

For years Colombia’s ongoing civil war raged around the community. Violent drug traffickers and private armies destabilized the country for decades. But despite this mayhem, Las Gaviotas has attracted rural peasants seeking to double their wages (US $500 a month) and enjoy the quiet life away from the war.

“We try to live a quiet life, depending on nothing but our own labor and ingenuity,” said Teresa Valencia, a teacher who has lived in Las Gaviotas for three decades.

Other products developed by the village included a turbine powered by a small, one metre high dam that produced 10 kilowatts of electricity, a windmill that was able to spin despite light breezes, and a pump strong enough to draw water from the hard-to-reach savannah water table.

Pride of place was the village’s hospital. Despite hot temperatures and high humidity, the hospital used clever technologies like subsurface tunnels and double ventilation systems in the walls to cool its operating theatre. The roof slid off to allow ultraviolet sunlight to disinfect rooms. After healthcare reforms in Colombia, the hospital was closed. Undefeated, the village turned the hospital’s kitchen into a potable water bottling facility, and reduced the need for hospital visits by making sure everyone in the area had access to clean water.

The community’s approach inspired scientists and architects, who came to design homes, laboratories and factories for Las Gaviotas.

One significant success has been the windmill-driven water pumps developed by Las Gaviotas. Invented by Jorge Zapp, head of the mechanical engineering department of Bogota’s Universidad de Los Andes, it is a lightweight windmill unit weighing barely 45 kilograms. The blades use the airfoil found on airplane propellers to make the most of light breezes.

In the 1980s, UNDP hired the Gaviotas team to install water and windmill pumps in other places in Colombia. Thousands have now been installed in Colombia and the design has been copied throughout Latin America.

Other inventions include a solar-powered kitchen, a water pump powered by a children’s see-saw, and a zeppelin that floats above the savannah plains to detect forest fires.

While the community has been able to forge a success, it can’t avoid the ups and downs of the global economy entirely. Competition from cheap imports of pine resin have pushed down the price the community can charge.

But in a topsy-turvy world, and surrounded by a civil war, what Las Gaviotas has achieved still seems impressive. “We have survived,” said Andrea Beltran. “Maybe, at this time and place in Colombia, that is enough.”

More recently, a much-publicized experiment is also underway in the Millennium villages. The Millennium Villages (http://www.millenniumvillages.org/index.htm) is a joint project between Columbia University’s The Earth Institute and UNDP, and is a bold experiment working with villages in Africa to identify and test solutions to help in achieving the Millennium Development Goals (http://www.undp.org/mdg/).

Britain’s Guardian newspaper has also been sponsoring and tracking changes in the villages of Katine sub-county in Uganda (http://www.guardian.co.uk/katine). Comprising 25,000 people, the project began in October 2007, and is conducted in partnership with the African Medical and Research Foundation (Amref) and Farm-Africa in Katine.

What is useful to people looking for solutions is the way the project is being tracked in detail on the newspaper’s website.

In India, the Model Village India (www.modelvillageindia.org.in) concept pioneered by Rangeswamy Elango, a head of the village of Kuthampakkam near Chennai, has now expanded to 30 model villages. Its approach is about being positive, eschewing griping about problems and instead getting down to work to solve them. Its success is based on an ancient Indian self-organizing model, the Panchayat, and Elango has modernized it to become what he calls The “Network Growth Economy Model” – a direct challenge to the “special economic zones that benefit only capitalist owners,” he said.

Gaviotas: A Village to Reinvent the World – 10th Anniversary Edition by Alan Weisman details further the achievements of the village (www.amazon.com)

By David South, Development Challenges, South-South Solutions

Published: November 2009

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP's South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South's innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.  

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